{"id":19176,"date":"2016-04-30T13:57:28","date_gmt":"2016-04-30T20:57:28","guid":{"rendered":"http:\/\/www.british-weekly.com\/?p=19176"},"modified":"2016-04-30T13:57:28","modified_gmt":"2016-04-30T20:57:28","slug":"everybody-brave-is-forgiven-the-blitzs-even-darker-side","status":"publish","type":"post","link":"https:\/\/www.british-weekly.com\/?p=19176","title":{"rendered":"Everybody Brave is Forgiven: the Blitz&#8217;s even darker side"},"content":{"rendered":"<h4>Exclusive interview with author Chris Cleave and a review of his book about love and war in England during WWII<\/h4>\n<h5>Rating: 3 Stars<\/h5>\n<h5>Review by Gabrielle Pantera<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-19198\" src=\"http:\/\/www.british-weekly.com\/wp-content\/uploads\/2016\/04\/book-review-4.gif\" alt=\"book-review\" width=\"144\" height=\"230\" \/>\u201cI discovered that while their white schoolmates were evacuated to the countryside to save them from the bombing Blitz on London, black children were often kept behind,\u201d says Everybody Brave is Forgiven author Chris Cleave. \u201cOr, returned to the city after failed evacuations, because the countryside didn\u2019t like them. That became my way into the story.\u201d<\/p>\n<p>Cleave\u2019s observations on bigotry, class separation, war and its effect on those serving and left at home are starkly honest, even brutal. The horrors of war are vivid, as though you\u2019re there experiencing the fighting and bombing. Inspired by the wartime love story found in real-life love letters between Chris Cleave\u2019s grandparents, the story is two books in one. It switches between the point of view of the fighting and wartime life in London. The characters are not endearing, just surviving. The story can become confusing when a character is in a drug-induced fog due to war injuries.<\/p>\n<p>The book is mostly set in London between 1939 and 1942. Mary North leaves boarding school to become a part of the war effort. She\u2019s given the unglamorous job of teacher, replacing a male teacher gone off to war. Within days the children are evacuated, and Mary is left behind. She begins dating Tom, who placed her at the school. When she meets Alistair, Tom\u2019s former roommate, she falls in love. But Mary is already very involved with Tom.<\/p>\n<p>\u201cI treat research like method acting,\u201d says Cleave. \u201cTo write this book, which is set in London under rationing and Malta under siege, I put myself on wartime rations in order to understand the effects of hunger. For a year I listened only to the popular music of 1939 to 42, and read only books that were published in those years. I interviewed people who remembered the war in London and Malta, and of course I did an enormous amount of book work, deep in the dusty archives of libraries.\u201d<\/p>\n<p>Cleave says there are important WWII collections in many public records offices and libraries across London. However, few are digitized. He had to go there and search through them by hand.<\/p>\n<p>\u201cWhile writing Everyone Brave is Forgiven, I had the privilege of talking with veterans and survivors of WWII,\u201d says Cleave. \u201cWhat they tell you is nothing like what we see in all those war movies. The truth is messier, weirder and far more human.\u201d<\/p>\n<p>Cleave wrote three novels before his latest. They are Incendiary, Little Bee and Gold. He\u2019s won the Somerset Maugham Award and been shortlisted for the Costa and for the Commonwealth Writers\u2019 Prize. He\u2019s also won the Book of the Month Club\u2019s First Fiction award and the Prix Sp\u00e9cial du Jury at the French Prix des Lecteurs. Incendiary was made into films starring Michelle Williams and Ewan Macgregor.<\/p>\n<p>Marysue Rucci at Simon &amp; Schuster is Cleave\u2019s editor. \u201cPeople don\u2019t realize how much work publishers do,\u201d says Cleave. \u201cThere\u2019s an enormous set of tasks to be perfectly conceived and executed in order to make a book the best it can be, and to introduce it to booksellers and readers. I met Marysue Rucci when she offered for my second novel, Little Bee. I liked her immediately. The process is that I write, she reads, she gives notes and I rewrite.\u201d<\/p>\n<p>Jennifer Joel at ICM and Peter Straus at Rogers, Coleridge &amp; White are Cleave\u2019s agents. \u201cI sent my work to everyone I knew and many more I didn\u2019t, again and again,\u201d says Cleave. \u201cUntil it found people who wanted to take things further. There\u2019s no secret to finding an agent. You just write the best you can, show your work to others, and have a mindset in which you are always improving and ready to learn through criticism. You improve through the rejections.\u201d<\/p>\n<p>Chris Cleave was born and continues to licve in London.<\/p>\n<p style=\"text-align: center;\"><em>Everyone Brave is Forgiven by Chris Cleave. Hardcover, 432 pages, Publisher: Simon &amp; Schuster (May 3, 2016), Language: English. ISBN: 9781501124372 $26.99<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exclusive interview with author Chris Cleave and a review of his book about love and war in England during WWII Rating: 3 Stars Review by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-19176","post","type-post","status-publish","format-standard","category-book-corner"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/19176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19176"}],"version-history":[{"count":3,"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/19176\/revisions"}],"predecessor-version":[{"id":19199,"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/19176\/revisions\/19199"}],"wp:attachment":[{"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.british-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}